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        <title>2016/01 - month - Indie Music Reviews</title>
        <link>/2016/01/</link>
        <description>2016/01 - month - Indie Music Reviews</description>
        <generator>Hugo -- gohugo.io</generator><language>en</language><lastBuildDate>Fri, 29 Jan 2016 00:00:00 &#43;0000</lastBuildDate><atom:link href="/2016/01/" rel="self" type="application/rss+xml" /><item>
    <title>Sweet Honey in the Rock - Love in Evolution</title>
    <link>/sweet-honey-in-the-rock-love-in-evolution/</link>
    <pubDate>Fri, 29 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/sweet-honey-in-the-rock-love-in-evolution/</guid>
    <description><![CDATA[<p>Sweet Honey in the Rock - Love in Evolution</p>
<p>FACEBOOK: <a href="https://sweethoneyintherock.org/" target="_blank" rel="noopener noreffer">https://sweethoneyintherock.org/</a></p>
<p>The twenty-plus album and Grammy honored career of Sweet Honey in the Rock revs up once more with the release of their first new studio album in nearly ten years, Love in Evolution. The uninitiated will quickly understand, seconds in perhaps, this isn’t a group concerned with chart or financial success. True artistry is hard to find in today’s marketplace, but it depends on how you define it. Only fools would dispute that there’s no artistry at all in writing three-minute pop songs, but there&rsquo;s multiple levels. Sweet Honey in the Rock work in the upper reaches where their talents synthesize modern production and personal fearlessness with sweeping knowledge of the lifeblood of American music - blues, gospel, jazz, and R&amp;B.</p>]]></description>
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    <title>Some Retro Sounds from Frank Patek</title>
    <link>/some-retro-sounds-from-frank-patek/</link>
    <pubDate>Thu, 28 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/some-retro-sounds-from-frank-patek/</guid>
    <description><![CDATA[<p>Frank Patek is a rocker with an singer-songwriter heart from Milwaukee who&rsquo;s ready to gain you as a new fan. &ldquo;Unforgiven&rdquo; has this singer-songwriter feel like it&rsquo;s from the &rsquo;70s or &rsquo;80s. For some reason it sounds like something Meatloaf would have put out in that it has this vibrato and drama to it. In &ldquo;My Angel&rdquo; Patek stays in those decades with an upbeat treat, as is &ldquo;Stand By You.&rdquo; When it comes to &ldquo;Kathy&rsquo;s Song&rdquo; though we slow it down a bit and some heart is shown. As we head towards the homestretch, &ldquo;Are You Able&rdquo; shreds in the intro but calms down in the vocals, while we close things out with &ldquo;Ashamed.&rdquo; It takes the drama of the first and the heart of &ldquo;Kathy&rsquo;s Song&rdquo; and intertwines them seamlessly. If you&rsquo;re a fan of artists like Meatloaf and Foreigner should check out Frank Patek today. (<a href="https://www.reverbnation.com/frankpatek" target="_blank" rel="noopener noreffer">https://www.reverbnation.com/frankpatek</a>)</p>]]></description>
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    <title>Third International drops new CD</title>
    <link>/third-international-drops-new-cd/</link>
    <pubDate>Thu, 28 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/third-international-drops-new-cd/</guid>
    <description><![CDATA[<p>Third International</p>
<p>CD: O.B.L.I.V.I.O.N.</p>
<p>URL: <a href="https://thethirdinternational.com/formaldehyde/" target="_blank" rel="noopener noreffer">https://thethirdinternational.com</a></p>
<p>Three piece New York based band Third International just released his second release to date entitled OBLIVION. The dark inspirations that find their way into his songwriting ensure that Third International will turn heads in gothic rock, electro-metal and industrial communities worldwide. Band consists of Andrew Pearson (vocals, guitar, Synth and Moog).Szabolcs Szenasi (Drums, Sampling, Machine Patterns), Enrique Mancia (Bass), and Brian Battersby (Audio Sampling)</p>]]></description>
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    <title>Arabella Jones Has You Covered</title>
    <link>/arabella-jones-has-you-covered/</link>
    <pubDate>Wed, 27 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/arabella-jones-has-you-covered/</guid>
    <description><![CDATA[<p>Arabella Jones is a singer-songwriter hailing from Houston. Covering songs is a great way to craft your skills. That&rsquo;s one of the beauties of shows like &ldquo;American Idol&rdquo; and &ldquo;The Voice.&rdquo; We love to hear new voices take on old songs. With that, we&rsquo;re getting to know Texas&rsquo; Arabella Jones with her cover of Dolly Parton&rsquo;s &ldquo;Jolene.&rdquo; You can hear the southern love in her voice. Continuing on with the covers, she takes one of the most beloved one-hit wonders of the rap game and does her thing to it. While &ldquo;Jolene&rdquo; was basically a great version of the song, Jones puts her personal touch on Montel Jordan&rsquo;s &ldquo;This Is How We Do It.&rdquo; Arabella Jones&rsquo; voice has these layers to it that you want to cover yourself in. Take &ldquo;Runaway Rush&rdquo; for example. You can hear her take control of every line with a simplicity - it&rsquo;s quite a skill she has. If you&rsquo;re a fan of singer-songwriters who have a knack for taking on other&rsquo;s songs and killing it, as well as doing her own thing with precision - check out Arabella Jones today. (<a href="https://arabellajones.com/" target="_blank" rel="noopener noreffer">https://arabellajones.com/</a>)</p>]]></description>
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    <title>Sam Hammerman: Liberation</title>
    <link>/sam-hammerman-liberation/</link>
    <pubDate>Wed, 27 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/sam-hammerman-liberation/</guid>
    <description><![CDATA[<p>Sam Hammerman&rsquo;s &ldquo;Liberation&rdquo; is record made with nothing but honesty and heart. &ldquo;Downstream&rdquo; opens this record up nicely. The imagery created by his gritty, yet soothing vocals makes the mind wander. The title track offers up more depth to this singer&rsquo;s essence. He&rsquo;s coming from the same place you&rsquo;d find the likes of Landon Pigg. In &ldquo;Stay Right Here&rdquo; it goes on and on like a conversation with an old friend. There&rsquo;s familiarity to it, so there&rsquo;s a sense of comfort - while &ldquo;Web of Dreams&rdquo; takes us for a trip. The intro comes through with more rock than the rest of the record and it&rsquo;s an unexpected, but welcomed turn. Ending with &ldquo;Rushing For Gold,&rdquo; Sam continues to open himself up and the vulnerability makes you want more of what he has to offer. If you&rsquo;re a fan of Pigg and John Mayer&rsquo;s earlier stuff, check out Sam Hammerman&rsquo;s &ldquo;Liberation,&rdquo; out now. (Sam Hammerman&rsquo;s &ldquo;Liberation&rdquo; is record made with nothing but honesty and heart. &ldquo;Downstream&rdquo; opens this record up nicely. The imagery created by his gritty, yet soothing vocals makes the mind wander. The title track offers up more depth to this singer&rsquo;s essence. He&rsquo;s coming from the same place you&rsquo;d find the likes of Landon Pigg. In &ldquo;Stay Right Here&rdquo; it goes on and on like a conversation with an old friend. There&rsquo;s familiarity to it, so there&rsquo;s a sense of comfort - while &ldquo;Web of Dreams&rdquo; takes us for a trip. The intro comes through with more rock than the rest of the record and it&rsquo;s an unexpected, but welcomed turn. Ending with &ldquo;Rushing For Gold,&rdquo; Sam continues to open himself up and the vulnerability makes you want more of what he has to offer. If you&rsquo;re a fan of Pigg and John Mayer&rsquo;s earlier stuff, check out Sam Hammerman&rsquo;s &ldquo;Liberation,&rdquo; out now. (<a href="https://samhammerman.com/" target="_blank" rel="noopener noreffer">https://samhammerman.com/</a>)</p>]]></description>
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    <title>Sir Antonio Makes Things Pop with Extra Sensory Productions</title>
    <link>/sir-antonio-makes-things-pop-with-extra-sensory-productions/</link>
    <pubDate>Wed, 27 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/sir-antonio-makes-things-pop-with-extra-sensory-productions/</guid>
    <description><![CDATA[<p>Sir Antonio is doing it up with Extra Sensory Productions and here&rsquo;s why. We&rsquo;re first introduced to this cascade of sounds with &ldquo;Trees Sunshine And Bass.&rdquo; It&rsquo;s like a tropical rave. The beat is everlasting and makes you want to move and smile. With &ldquo;It&rsquo;s Here&rdquo; we&rsquo;re taken from paradise to a place where glowsticks reign supreme but possibly still in the Miami region. It has this very South Beach feel to it. You can hear the nightlife in it. With &ldquo;Hammer 2&rdquo; we hear more of a hip hop influence to the beat while &ldquo;Ready Or Not&rdquo; takes us to the streets as well. If you&rsquo;re a fan of stellar beats, check out what Sir Antonio is working up with Extra Sensory Productions now! (<a href="https://soundcloud.com/sirantonioofesp/tracks" target="_blank" rel="noopener noreffer">https://soundcloud.com/sirantonioofesp/tracks</a>)</p>]]></description>
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    <title>Danny Click – Holding up the Sun</title>
    <link>/danny-click-holding-up-the-sun/</link>
    <pubDate>Tue, 26 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/danny-click-holding-up-the-sun/</guid>
    <description><![CDATA[<p>Danny Click – Holding up the Sun</p>
<p>AMAZON: <a href="https://www.amazon.com/Holding-The-Sun-Danny-Click/dp/B0148A0FQ6" target="_blank" rel="noopener noreffer">https://www.amazon.com/Holding-The-Sun-Danny-Click/dp/B0148A0FQ6</a></p>
<p>Until a few years ago, Danny Click was one of Austin’s best-kept secrets, a musician’s musician who’d won the respect of some of alt-country’s biggest names but hadn’t yet found widespread recognition. That changed when Click’s CD, “Life Is A Good Place,” was released in April, 2011 and spent more than 12 consecutive months on the Country, pop, and Americana radio charts. The first single, “Wait My Turn”, reached #1 on Nashville’s Indie World Country Chart, and the second single, “I Feel Good Today”, topped out at #14 on the NMW national Country chart along side Keith Urban, Miranda Lambert and Taylor Swift.</p>]]></description>
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    <title>Phil Celia – The PCB Sessions</title>
    <link>/phil-celia-the-pcb-sessions/</link>
    <pubDate>Tue, 26 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/phil-celia-the-pcb-sessions/</guid>
    <description><![CDATA[<p>Phil Celia – The PCB Sessions</p>
<p>URL: <a href="https://www.philceliamusic.com/" target="_blank" rel="noopener noreffer">https://www.philceliamusic.com/</a></p>
<p>Deeply textured and beautifully written music, layered in tone and color like Autumn, and warming the heart with ambiance, Los Angeles based Guitarist/Singer/Songwriter Phil Celia is here with his latest 8 Track Installment entitled “The PCB Sessions” released in 2015. Usually it takes a couple of listens over a couple of days for me to embrace an album by someone, This album had me in deep with a couple of plays. Let’s be honest though, it’s hard not to be duly impressed by something this ‘life storied” having been created and mostly one person, but on the PCB Sessions I can hear the musical synergy of all players involved – fronted by Celia on guitar and vocals. To say that this music is hard to pin down is a bit of an overstatement. While stylistically there are some very concurrent genres at play (Jim Croce, Edwin McCain, John Hiatt, Cat Stevens, and Paul Simon), Celia delivers a deeper energy that remains non-elusive in his music. The songs dance around the edges of meaning, and hearing the opening intro track “Toe the Line’ is very much like catching fragments of vivid dreams, but upon waking the interpretations remain as the images fade. Bottom line: “The PCB Sessions” gives us some very good songs.</p>]]></description>
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    <title>Gnarly Karma – Classic Breeze</title>
    <link>/gnarly-karma-classic-breeze/</link>
    <pubDate>Thu, 21 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/gnarly-karma-classic-breeze/</guid>
    <description><![CDATA[<p>Gnarly Karma – Classic Breeze</p>
<p>FACEBOOK: <a href="https://www.facebook.com/gnarlykarmamusic/" target="_blank" rel="noopener noreffer">https://www.facebook.com/gnarlykarmamusic/</a></p>
<p>This release has quite a range of sounds. There are some things that remain constant, the saxophone being one of them. Beyond that, though, a few pieces don’t really seem to fit. Also, the lyrics don’t seem to have a lot of depth to them, with a few exceptions. I tend to prefer music with meaning. Still, most of this is very effective in terms of just “feel good” music.</p>]]></description>
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    <title>Harbinger Uprising - Line in the Sand</title>
    <link>/harbinger-uprising-line-in-the-sand/</link>
    <pubDate>Thu, 14 Jan 2016 00:00:00 &#43;0000</pubDate><guid>/harbinger-uprising-line-in-the-sand/</guid>
    <description><![CDATA[<p>Harbinger Uprising - Line in the Sand</p>
<p>Primary URL: <a href="https://www.harbingeruprising.com/" target="_blank" rel="noopener noreffer">https://www.harbingeruprising.com/</a></p>
<p>Musical energy and the exchange between audience and a song or band can be such a crucial lifeblood for a composer gathered in the name of fulfilling exhilarating music for music fans. Some of this applies to Loud Alternative Rock based music and Alternative Rock popular in the 90’s. It may not be for everyone in 2016 but no one can deny it has a very dedicated cult following. It’s almost comparable to an intellectual monster unleashed for the sole reason of getting your ass thinking.</p>]]></description>
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