Frank “Hoo” Ever" Fitzgerald is an artist that’s part of an eclectic bunch on Devine Records and experiments well with intertwining multiple items to create a sound that’s truly his own. There’s a lot going on with “Debbie/Smokey & Candy.” It has this ’70s heading into the ’80s feel to it as the American Bandstand live elements that play into a more modern feel. There’s the shout out to Smokey Robinson throughout like a remix that plays over a classic sounding R&B beat. It’s quite the construction of sounds and musical styles but in the end it all works out for Frank “Hoo” Ever" Fitzgerald. The bottom line is that if you’re into upbeat R&B, check out Frank “Hoo” Ever" Fitzgerald today. (https://soundcloud.com/therealdevinerecords)

Hear that jazz flavor coming out of West Palm Beach, Florida? Well you might be hearing Mikael. “Smooth Love” is simple in the lyrics department, but has very well, smooth sounds when it comes to the music. It’s got a sense of laid back romance. “By The Way” follows that same format - very little lyrics and letting the music guide the listener from point A to point B. Only this time around, it was a livelier affair. What’s to be loved about “NuGrape” is the mood it creates - cool. With so much attention to musical detail, you can paint an entire landscape with what Mikael creates with sound. The title may give off a hip hop feel, but “MoBetter” is pure metropolitan night life inspired. This is the kind of music put together adults listen to not only in their own time, but when they go out for entertainment. If you like the ways of smooth jazz, check out Mikael today. (https://www.reverbnation.com/mikaelman)

Tristan Jackson is a Canadian pop artist who’s definitely got what it takes to take his show from his homeland to the rest of the world. When you go to create a good pop song, you have to really pay attention to the hook and that’s where “EarthQuake” succeeds. It’s got this mature pop feel, but still has a very fun undertone. Tristan strips down a bit for a more sensitive track that still has an upbeat feel, “Gone.” It’s a mid-tempo ditty that really showcases his vocals well. “Save The World Tonight” does more or less the same as “Gone,” only has a bigger meaning as it’s more a universal feeling that so many can connect to. Wrapping up our time with Tristan you get the very sweet sounds of “Antigravity.” You could imagine this one coming straight to you through artists that reign supreme on the teen scene due to how cute it sounds. All in all Tristan Jackson has a very well polished pop sound that fans of Top 40 should check out. (https://www.tristanjackson.ca/)

Anthony Upchurch is a young musician who crafts well-made takes on the world with ivory at his fingertips. “Gladys’ Garden” captures nature through the soft piano driven track that incoporates natural earth sounds as well. Then with “Broken IV,” which sounds like a night out in the far, far future in the city. A night out that has little excitement, but a lot of adventure. Right when you think that Anthony Upchurch is all about keeping it calm, in walks in “Strings” to liven up the situation. That vibe continues on with “Breakdown,” a very lively track that brings the party. Lastly, “The Alchemist” slows things back down to wrap up the experience right where we started, but then surprise! There’s a secret hiding in this one that’s worth the wait. If you like instrumental music that’s piano based and can be as soft as the morning dew or as energetic as a city landscape, check out Anthony Upchurch now. (https://www.macjams.com/artist/s_1344)

Martin R. Howell is a punk who dabbles in the ways of folk. “Lover or a Psycho” is a love song that doesn’t really sound like one at first. It’s got this very interesting vocal performance that’s definitely unique. It’s quite the doozy, but “Shania Twain Left Mutt Lange (For Me)” has to be one of the best from Howell. It’s not every day you get this fan boy mentality put to song. With “Space Adventure 1.0” the mood goes from quirky folk to just plain quirky as electronic sounds are dispersed throughout. Never mind what was said about “Shania,” it is “Rock’n’Roll Ain’t Perfect” works on all levels. The music, the storytelling and the music all align just right. Martin R. Howell gets a little dark with “Blame It On the East End” while he then goes back to the quirk he’s etched out as his own with “She’s Gotz To Do Porn.” To say it’s a boring ride with Martin R. Howell would be a total lie. You just never know what you’re going to get when you hit play with this guy. If you like folk rock that has a punk base, check out Martin R. Howell today. (www.reverbnation.com/martinrhowell/songs)

You can hear how much heart Adamus Turner puts into every word he sings, and string he plucks. “Destiny” really relies on the chorus to make this one stand strong, while “What You Mean” is on point from the start. It has a wonderful musical intro that’s met with a compelling vocal performance from Turner. I think the stubborn folks of the world will flock to the aptly titled “My Mind Will Never Change.” Although the way he sings it sounds less stubborn than those who’d listen. “Better Ways” is an uplifting song that acts like a personal crutch to those who might be struggling with something in their lives. Then you have “From Her Love.” This one has a very serious overtone and that continues on throughout the whole track. It’s haunting in a way. If you’re into singer songwriters who craft music from heavy life experiences, check out Adamus Turner. (https://adamusturner.com/)

Cassandra Henry is an R&B talent to keep an eye out for. “Tightrope” is a very positive track that’s really got a great voice behind it. It’s got a catchy hook and will remind music fans of old school Brandy. Then she gets a little Mary J. with “Too Good.” It’s not as striking as the last, but still good. Moving on to “Meanwhile,” this is where she drops the hooks and goes a little slower with it, while still maintaining a little groove. If you thought the days of good R&B female pop singers were gone, think again because Cassandra Henry is here and ready to make her presence known. (https://www.cassandrahenry.com/)

Cooley Haze captures so many elements on “Cooley Haze,” it’s a wonder it can be contained. “Evolution” sounds like a trippy night out in a cosmopolitan area. You get a lot of different genres with Cooley Haze, and with “The Risk” you have a very cool hip hop track, while “Sir Ebbs and Her Flows” serves up that classic Neo-Soul that artists like Jill Scott made part of the mainstream. That’s also what you’ll hear with the “Interlude Cafe,” only that soul has a much more classic feel to it. Cooley Haze even shakes it up by adding a pinch of spice to the mix with “Estados Unidos.” The record is then capped off nicely with the soothing, but cool ways of “Orange Tonic.” If you’re a fan of genre mixing and want something that speaks to the cool urban music fanatic in you, check out Cooley Haze’s self-titled record, out now. (https://www.cdbaby.com/cd/cooleyhaze2)