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Ian C. Bouras - Two Sides to Every Sunset

Ian C. Bouras - Two Sides to Every Sunset

URL: https://www.sdmprecords.com/sdmphome.html

Music is moving. Sometimes it can bring one to tears and other times it can cause one to think more deeply. It can bring about feelings of rage or despondency and it can strip layers off your armor, casting you closer to the matters of the heart. And then there are times when music is so sonically and physically powerful that it is tectonic in its movement. East coast guitarist Ian C. Bouras has a sound that is somewhat polarizing but also amazing. Whether this guy is a loop guitar perfectionist or whether this was truly a labor of new age guitar that needed some time to perfect, the end product proves its worth in just how well structured it is. This is a heartfelt musical project that isn’t going to be taken down easily and in fact is probably just getting started – very much like the power of love itself or perusing a dream.

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Meghan Shanley releases ”Ready for Love”

Meghan Shanley releases ”Ready for Love”

Score: 8/10

URL: https://meghanshanley.com

After winning the Miss Virginia title, Meghan Shanley discovered an insatiable appetite for meeting fans making new friends during a life on the road that saw her traveling over 3,000 miles a month in the wake of her win. With a deep love of music, Meghan discovered that she loved touring as well and began to focus on the pursuit of a career in music. She followed her passion from her home Virginia and headed to Nashville where she plays regularly around the area and at local venues like Sambuca, while she and her team have lovely crafted a debut album. Her path has taken her down eclectic roads, and she has been a featured performer in touring productions of country classics: Treasures From The Attic, The Spirit Of Broadway, The Spirit Of Christmas, Dancing Queen and others. She breaks out here on 2014’s Ready For Love, with a vibrant effort. The groove is established within the first three songs, as the CD starts out with a bang in the shape of Ready For Love itself, and boy does it light the way, following with the high energy soul of One Day, Synergy, and the most excellence of the slowest burning track, Break My Heart. These are all great songs with a backing beat to die for, but with the latter track being an epic ballad. There is a lot of influence felt here, but Meghan makes her music somehow all her own, even though it is clear that she grew up on artists like Whitney Houston and Billy Holiday combined, with a lot to note in-between. This ballad is like listening to a female Sinatra in many ways, somehow very akin to the crooners of the past but with a fresh approach that updates that sort of thing. She seems to defy all that is bad in today’s musical landscape, especially in the area of danceable music. On the second half of the CD, things go deeper and harder to get her musical message across, and that is not to say it loses any speed in establishing herself as a great singer, in fact she only gets better as the tracks go. They just take on a slightly more serious approach with tracks such as the epic Better Left Unsaid, and the infectious Without You. These songs all cater to both the youth and the more mature adult audience without leaning too far in either demographic. And the arrangements dazzle at every turn, making it all so very compelling. I usually don’t respond this way to just any singer, especially of this genre, but when it comes to Meghan, I make such an exception that it doesn’t seem to matter what I like, because it shows I can be turned around at the drop of excellence concerning any music I wrap my ears around. While this is liberating to me, it might be the opposite for lovers of her style, but I highly doubt that is the reaction, regardless of the possibility. It shows that even I can be convinced of this somehow pleasantly formulaic, but otherwise mesmerizing talent.

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A Buffet of Talent with New Vintage Artists

New Vintage Artists is a collection of musicians with a massive amounts of talent. First on the deck is Mae McAleavy with “Lost World.” She has a Paula Cole, Lilith Fair vibe going on. You could hear her belting out some Alanis and doing it well. As for Justin Kolas and his “Life is Good.” He ups up the mood with the light pluck of his strings. It has a Jason Mraz feel to it. We move on to “Sand in the Glass” by Mark Cabunoc. What’s great about New Vintage Artists is that no two are alike. Here Mark has a more power pop sound like Ryan Adams. Then we go for a worldly sound thanks to the Spanish flare of Kitty Garden’s “Quero Ir.” Lyrically, I wasn’t sure of the message, but musically I got laid back and modern. Coyote Club’s “New Demand” has a funky feel that would play well in a upscale bar setting in a downtown area. With Hoytus’ “Happy” you can immediately envision people gathering and holding hands in unison and smiling. That was well, a happy go lucky tune, while Austin Hill’s “Eyes On Me” slows the vibe of this musical excursion down. Then Narayan from Zion’s “Life is Amazing” continues to keep that pace but on a more new age scale. Lastly “Calling Out” by Mingo Lewis gives us that New Age aroma like the last thanks to the use of wind instruments throughout. The best thing about visiting New Vintage Artists is that there is something for everyone - from pop to New Age, from laid back feel good vibes to Spanish flare. So if you’re in the need for variety, check out all New Vintage Artists have to offer now. (https://newvintageartists.com/)

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Amarachi

Newsflash: New York based vocalist Amarachi just released her latest EP entitled All or Nothing.  

REVERBNATION: https://www.reverbnation.com/amarachimusic317/album/82686-all-or-nothing

Hailing from Nigeria and possessing the flair and true roots of African music, Amarachi is a talent rich with experience and the gift of creating wonderful music. Gaining experience from the ultra-hip New York modeling scene, this dynamic artist is a sucker for a chick flick, and the earthy strum of an acoustic guitar. This latest 6 song staple All or Nothing was released back in 2014. I have to say I was extremely impressed with the opening 3 tracks “Certified Criminal”, “I’ll Be OK” and “My Man”. They made quite the first impression and each one possessed my full unadulterated attention. To be honest: I expected cheesy overly synthetic Dub-Dance-Pop, extremely predictable and shallow in nature and extremely compatible for a mass audience. What I discovered was actually quite the opposite. The whole CD is wonderfully earthy, conservative yet full of what I would call explosive musical energy with music that appeals to so many different senses on so many different levels. It reminds me of Lauryn Hill, Alice Russell, Melanie Fiona and Amel. On the other side of the sonic spectrum I can hear Adele, Alicia Keys, Nikka Costa and Janelle Monae. There’s a Acoustic-Rock-Pop-Blues influence in there as well.

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Seconds Before Landing (2)

Seconds Before Landing - Seconds Before Landing 2

Primary URL: https://www.facebook.com/SBLMusic

Seconds Before Landing is: John Crispino (core member, singer, writer, drummer). Other collaborators include Trey Gunn and John Palumbo from progressive rock group Crack The Sky. J.D Garrison on bass, Steve Schuffert on lead guitar, Maurice Witkowski on acoustic guitar, and Jamie Peck on piano and horns and with Vanessa Campagna & Carrie Marie Jackson on backing vocals. S.B.L. 2 was mastered by 2 time Grammy nominee, and Pink Floyd engineer Andy Jackson.

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Hit the Road with Jeff Road

Jeff Road is a purist when it comes to music. It’s him and his guitar as he takes on the singer-songwriter genre with a gift for taking on the soul of the song and exposing it to his listeners. “I’m Coming Home” is a bare bones gem. There’s only a man and his musical weapon out there on the road and what I like about this particular version is that it’s raw and human. It’s not done up in a studio and edited, and that showcases the natural ability of what he can do vocally even more. In “Come Ride with Me” he polishes it out a bit but there’s still a humanity to it thanks to the story being told through song. To end this trio of tracks we have “Under a Beautiful Sky.” Here Jeff sounds a bit demure and fragile at the start. I think that’s a natural state when singing about the idea of love. Admitting those emotions does make one fragile a bit. If you like singer-songwriters that rely on the skillset they were born with and not on the high tech ways of machinery, then check out Jeff Road today. (https://www.youtube.com/user/TheJeffRoadProject/videos)

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Missionary Marjorie Mclntosh the Rising Star: Live Right

One part reggae, one part gospel and that’s Missionary Marjorie Mclntosh the Rising Star’s “Live Right.” It’s an interesting mix that comes through well. The best part about starting a record with a song like “Stronger” is that it really sets you up for a good time. For most, we have no clue that reggae gospel music is a thing, but what this track teaches us from the get go is that you can have a very lively time while you worship. When you get to “I’ve Proven Christ,” it doesn’t feel like it’s from the tropics but more from Latin America. It has a very Spanish feel to it from the music to the vocal delivery. We’re back to the island as we roll into “I Won’t Have to Cross Jordan.” Again, the best part about Missionary Marjorie is that she combines two genres that not many know have found one another…ever. So if you’re a believer and but also love that reggae flare, you’re in luck because her “Live Right” is just right for you. So pick it up and check it out because it’s out now. (https://www.cdbaby.com/cd/missionarymajoriemclntos)

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Experiment with Ahnshsom

In the world of electronic sits Ahnshsom. He’s got that tied in with experimental and it’s downright, well…interesting. “Alter Ego” sounds like something you’d hear in an European dance club at 2am. The music makes you move but then it has this sinister voice that comes across a little strange to those not into house music. No voices come out to play in “Starcrossed Lover,” just a beat that doesn’t quit. We head back into the experimental side of things with “Evenings…into night.” Then something weird happens with “Gas Mask.” It’s unlike the rest as it’s not that electronic based but has a more modern rock feel to me. I felt as if it could’ve the instrumental to a Weezer song. You’d think that was a random occurrence but then “Lonesome Romance” does the same but has a bit of experimentation with an indie flare. It’s clear that when Ahnshsom goes into making a song, he doesn’t have a genre in mind - he goes with what feels natural to him and just lets the music escape him. If you like musical risk takers, check out Ahnshsom ASAP.